刍议作曲的创造性逻辑
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陈伯文(1984-),男,硕士,讲师,研究方向:音乐美学、作曲理论,钢琴教育

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On the Creative Logic of Composition
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    摘要:

    作曲与即兴看似大相径庭,两者在创造性层面上却是殊途同归。狭义的作曲以书面作品为载体,是深思熟虑的 结果。而即兴则更多的是即席而作,是无法进行深刻逻辑推演的,具有更多的偶然性。作曲在逻辑时空中展开,而即兴则是在 物理时间中进行。在作曲的逻辑时空里,一切创作素材都是可极力铺陈的,因而其结果也更加可控可量化。而即兴因为依托 于物理时间进行,故是单线和不可逆的。以两者深层的共性与个性为讨论的切入点,针对作曲的创造性展开讨论,并通过对比 作曲与即兴在创造性层面上的异同进行研究。

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    Although composition and improvisation seem to be quite different, the creative level is the same . The narrow sense of composition is the result of the thought by written works as the carrier. Impromptu is improvised, is unable to carry out profound logical inference, with occasional more. Composing is in the logical space and improvisation is in the physical time. In the logical space composition, all creation material is to lay out, so the results are more controllable and quantifiable. But because of the time based on the physical time, it is a single and irreversible. The common and personality of the two is a breakthrough point in this article. This paper mainly discusses the creative work of the composer by comparing the similarities and differences between the composition and improvisation on the creative level

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陈伯文.刍议作曲的创造性逻辑[J].西昌学院学报(自然科学版),2015,(4).

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  • 收稿日期:2015-09-24
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  • 在线发布日期: 2018-03-11