勿“茫”勿“盲”多“忙”——从莆田学院音乐学院四次和声教材演变看高师和声教学观念变革
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黄璟(1983- ),女,福建莆田人,讲师,硕士,主要从事钢琴艺术及其教育、妈祖音乐学研究。

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Less Bemusement and Blindness and More Diligence——Analyzing Reforms in the Concepts of Harmony Teaching in Normal Universities Based on theFour Evolutions in the Textbooks Used in the Department of Music in Putian University
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    摘要:

    本文以个案现象观察高师和声教学观念变革对教材选用的影响。通过比较莆田学院音乐学院的四次和声教材 及教学效果,从教师和学生两个角度分析选择教材的过程中致“茫”、“盲”的原因,并找出解决的对策,即多“忙”——多实践,不 仅包含课堂实践,而且应当将实践拓展至课外。

    Abstract:

    This thesis is a case study based on the observation of how reforms in the concepts of harmony teaching in normal universities have influenced the selection of textbooks. The department of Music in Putian University has changed the textbooks of harmony teaching for 4 times, which has diverse influences on the effectiveness of teaching. This thesis endeavors to compare these textbooks and their related effectiveness, analyze the bemusement and blindness in the process from the perspectives of teachers and students alike, and propose some solutions to the problem, that is,becoming more diligent or practicing more,including not only that in classroom, but also extra-curricula activities.

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黄璟.勿“茫”勿“盲”多“忙”——从莆田学院音乐学院四次和声教材演变看高师和声教学观念变革[J].西昌学院学报(自然科学版),2015,(1):87-90.

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  • 收稿日期:2014-11-10
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  • 在线发布日期: 2018-03-11